| 
 
 i'm sitting on an empty shelf
 between volumes 782.503 and 783.3
 as dust gathers around my cover
 & mites nibble my binding
 
 occasionally unknown hands
 pull my jacket, scan my contents
 then promptly shove me back –
 in a world with so many volumes
 i'm inconsequential:
 a cadaver of cellulose
 in a vast intellectual morgue
 where millions rest in oblivion
 largely ignored
 
 soon enough
 a library employee will examine me
 and decide other works
 are more worthy
 of the space
 
 then
 in a disposal box
 i'll experience
 the fire of wisdom
 and once again
 know the bliss
 of being erased
 
 
 
 | 
 
 
  
	| Ella: | Isn't the emptiness of this poem oppressive? |  
	| Shu: | (surprised) Most of the oppression we encounter is inside the mind. |  
	| Jack: | No – cut the rhetorical crap. Can't you see? There's something genuinely stifling here. |  
	| Ella: | One reason this poem stinks is it is cloaked in self-denial. Curiously, this is because the author identifies too much with his written works. Many authors are guilty of that. So rotting is a good thing. |  
	| Shu: | (Smiling faintly with a trace of disdain) False refuge. |  
	| Ella: | Also, the author is also too confident of his own insignificance. No one knows how history will write them – and only vain people really care. |  
	| Jack: | Yep! Pride can warp into twisted self-denial: it almost has a pious stink. |  
	| Juanita: | (shrugging her shoulders) Well, let's move on and breathe. . . |  |