POWERFUL WRAITING: Reflections on the Process of Writing


Juanita: 	Ah, another male sexist tribute to poetry! Notice the penile metaphors 
            and hidden erotic imagery here . . .


	Powerful wraiting cums
	whun the anchyrs ah lagic
	ore lifted & sails argh hoisted high.
	Whon moorin rupes are kut 'n ocean
	winds blaw freelie ya cun
	sail far 'n wide. When pens fullow
	thyir true compiss end rudders
	steer claar ah sand bonks or
	cliched lynes so much ebundance
	wall pruject thut there's nah need
	ta pirate treasures uther vessuls ply.

	Puwerful wraiting cums bi massigin'
	deip past sir face aches, kneedin'
	sloowly into twisted tissues 'n
	stretchin werds til meanings ure
	kneaded 'n ligaments bond intu
	smaothar shipes whaile
	the body-poetic getz mare bal
	onced 'n a text turns precise.

	Pawerfol rotting cums whin
	wards muve frum p
	age ta page acruss the film uf kins
	ciousnazz as thought-garms mutete mean
	ing 'n digest realoties.
	Grudually
	thu entire chemistry uf sense is changed 'n
	if kritical filters are laifted
	ind time offerad for brew to age
	the mish-mesh ef words
	ferments into mellifluous ink
	readers engage.
		
		
Jack: 	Ah, give the tired bloke a break. The words are harmless . . . d'ya haf'ta
        fight avery single day?


=====================================================================================
from Lit-A-Rupture: A Post Literary Construction by T Newfields
SUMMARY: An image of a pen writing on water against a bright sky and poem about inspired writing.
KEYWORDS: writing alchemy, writing conditions, ontology of writing, writing ontology 

by T Newfields [Nitta Hirou / Huáng Yuèwǔ] (b. 1955)
Begun: 2000 in Nagoya, Japan  ⨳ Finished: 2024 in Shizuoka, Japan
Creative Commons License: Attribution. {{CC-BY-4.0}} Granted

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